I get a recent invitation to the forthcoming opening of an exhibition of art by a talented critical Leghorn. Fin there is nothing to say except that I made the painter was unknown, and the archaeological museum host a very prestigious. Consequently, the natural curiosity to understand who the lucky artist who bother mayor, councilor for culture, superintendent of Florentine museums and even the minister of cultural heritage.
I find the website on which there appears no news, except some decent work, but on a page - their friends - a slew of ladies and celebrities cross complete with captions ...
The answer to every question is the same as the recruitment system of the Venice Biennale, which is nothing but a megalobby of dubious value and a nice sticker to boast, but in recent years particularly was able to degrade the Italian art as never before.
I grant another hapless artist who years ago costs - or did spend - a few hundred thousand euro for very prestigious exhibitions in museums and cultural sites and critical high Capitoline cry and then be disappointed by the very few works that have not sold. .. In Italy
asphyxia policy on any action that merits attention and that does not have an absolute and is now on his cross. And not because the art is universal and has no color: this is only the poor excuse that has depressed the free creativity of young artists as well as older ones.
not talking about the virtues of youth ARTOTECHE to enhance, not it comes to public customers in order to encourage the development of urban centers through public competitions, it prefers to attend, present, present and maybe have his picture taken in a photo to be published on Facebook ...
But Italy is this?
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